by AgentR11 » Sun 25 Dec 2011, 13:39:30
Swordmaking 101.
Make flat hunk of metal, as free of junk as you can, hopefully kinda uniform in composition.
encase a hard metal piece in a soft metal piece
make piece long and thin and more or less straight.
optional cosmetic applications now that it looks more like a sword than a rock.
end of use of fire
use stone to cut&grind down the soft metal to the appropriate cross sectional shape and expose a very thin bit of the hard metal
polish with stone so that it doesn't bind when it cuts into the target.
cosmetically polish with stone and goo to make pretty.
Granted, I can't do it. I'm the thug that you point at the bellows and say, "sake over there, and DON'T TOUCH MY TOOLS!" {I can touch my own tools because I have a big trash can that they fit in after I break them}
The deal is, that the use of fire is where the process looks cool on TV, the hammering, the sparks, the glow, the quenching, the oooohhh ahhh... otoh, 500 hours of sitting in front of a set of rocks and a bowl of water going back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth and back and forth until your back screams and your fingers want to fall off... much less appealing.
Yes we are, as we are,
And so shall we remain,
Until the end.